The Friary Church of St Francis in Republic Street Valletta has the good fortune to possess a fine pipe organ built in 1932 by the Italian firm of V. Mascioni who were established in 1829 and are still trading today. This instrument is listed as Opus 443, one of 12 examples around the Maltese islands, the largest of which is situated in the Co-Cathedral, Valletta. The organ of St Francis was the second installed by Mascioni in Malta and the first one in Valletta.
Restoration and electrification The pipework and tone of this modest size organ is excellent and one the church is proud of. The speech and the pipework has been carefully restored and preserved throughout.  Layers of dirt, which accumulated throughout the years, have been removed and every one of the more than 1,400 pipes, which range in length from 16' to the size of a pencil, was carefully cleaned. Some required specialist repair before being replaced, tuned and finely regulated. This particular organ has a unique named stop found in Malta, the Corno camoscio, which is a soft toned stop and a Mixture stop (Ripieno) of 6 to 5 ranks.The original action - the mechanism between the keyboards and the valves, which allow wind into the pipes - was operated pneumatically which involved a series of lead tubes from each key sending wind through an intricate labyrinth of machines containing thousands of valves and action parts many of which were made of very thin leather. With such limited space inside the organ and the heat and humidity of the Maltese climate it was impossible to maintain in reliable order, therefore, a new electro-pneumatic action has been introduced. This has simplified the action, removed the need for 90% of the fine leather and allowed the organ to be made more resourceful. Modern technology now operates the action while maintaining totally the tonal qualities and pipework in its original form.Such technology has enabled an additional custom made and designed console to be placed at ground level in the church. The console attached to the organ has been restored and functions as it always did but the ground level console has additional playing aids, that is a transposing device and pistons - these are buttons that can be preset to bring out a selection of stops in the middle of a piece of music instantly assisting the organist in dynamic control of the instrument.A playback system has been fitted which enables an organists to pre-recording music so the organ can still be played if an organist is not available when required. Similar to a pianola and player organ did with rolls in years gone by.Despite this new technology, the wind system is still operated by a series of reservoirs or bellows, which are ribbed and rise when wind from a blowing plant is delivered to it. These four bellows, which take up most of the floor area at the lower level, steady the wind and regulate the amount of pressure that is delivered to the pipes.The ribs and corners of these bellows are still covered with traditional sheepskin and cow hide leather (though a much thicker variety than the smaller action motors that have been removed). Traditional restoration methods using hot animal glue is still employed on this part of the restoration.The full restoration works from the initial historical research and surveying of the instrument to the hands on skilled restoration has been undertaken by Michael Farley Organ Builders of Devon in the UK in association with Noel Gallo, an organ expert and designer of Malta. Michael Farley heads a team of nine from workshops based in the UK which builds and restore organs while Noel Gallo has designed instruments for leading organ builders and customers in many parts of the world including Germany, United Kingdom, Norway, Switzerland, Australia, South Korea and China and also provide several organ building services locally.